
Back to Jabber
A late-night record for rooms with warm light and people who stay for one more song.
Back to Jabber
A late-night record for rooms with warm light and people who stay for one more song.
Members
Deck Tree
Deck Cards
Deck Chain
4 / 15Quarter Deck
BACK TO JABBER — RELEASE NOTES
Release checklist
- Confirm the final master and vinyl test pressing.
- Check the lyric card and track-list copy.
- Add the tour dates to the deck tree.
- Prepare the merch shop photography for the vinyl and tee.
- Schedule the release post and the first listen note.
Open questions
- Which track leads the player?
- Do we add a limited bundle for the first 50 orders?
Last edited by Mara Vale
Deck Shop
Shop
Ships from Chiplag within 3 business days. Contact the shop for returns within 14 days.
Back to Jabber is out now.
Five songs for the hour after the party. Written between Montreal apartments, late trains and a borrowed piano.
The whole record is here. Start anywhere. Stay for one more.
Listen in the player below, or use the links above for Spotify, YouTube, Apple Music and the album store.
The record, in full.
Five songs for the hour after the party. Press play and stay with it — the track list carries you through the whole record.
Back to Jabber
Velvet Static
Blue Room, 2AM
Last Train Home
House Lights
The demo recordings behind this fictional release are royalty-free CC0 tracks by G.R.N. Music (Languor 1, 3, 5, 7 and 11), retitled for the Back to Jabber concept.
Autumn rooms.
Back to Jabber is a small-room record, so the first run is a small-room tour. No barriers, no big screens. Just the songs, a few lamps and whatever the room brings.
14 November — Montreal · Sala Rossa
21 November — Toronto · The Baby G
5 December — Chicago · Sleeping Village
12 December — Lisbon · Musicbox
More rooms will be added. If you want the record to come to your city, leave a note below.
How “Velvet Static” began.
The song started with a missed train and a borrowed coat. I had been in the studio all day trying to make something feel expensive, and the only thing that felt true was the sound of the room after everyone left.
So I kept that. The hum of the lights, the chair turning, the last note hanging in the air. I wrote the lyric on the back of a set list: “We took the long way home / just to keep the night awake.”
That line became the whole record. Not a big statement — just the refusal to let a good night end too early.




